Nunc Coepi Press mark — the letters N C beneath a Celtic cross, ringed in gold

Nunc Coepi Press

“Now I begin.”

Psalm 76:11, Vulgate · Motto of Ven. Bruno Lanteri

Via Pulchritudinis— the Way of Beauty

A small Catholic press in San Diego, California. Our purpose is simple: to spread the faith in our own way — through picture books made to keep. The great engravings, visions, and lives of the saints, handed down whole, checked with care, and printed to heirloom standard.

I

The Press

Nunc Coepi Press was founded by Craig Browning — a Catholic father and grandfather, and a parishioner at his home parish in San Diego — out of a simple conviction: that the Church’s great images belong in families’ hands, in books made well enough to hand down.

The name is the press’s whole method. Nunc coepi — “now I begin” — is the cry of Psalm 76 in the Vulgate and the lifelong motto of the Venerable Bruno Lanteri: after every fall, every delay, every unfinished thing, begin again, now. Each of our books is compiled by hand, image by image and fact by fact, on that principle.

What we do has an older name: traditio — from the Latin tradere, to hand over, to hand down. It is one of the oldest ways the Church has ever formed hearts: beauty, and a daily rhythm, in the illuminated manuscripts, icons, and books of hours made for ordinary households centuries before printing presses existed. Our books stand in that line — Scripture, the saints, and the Doctors of the Church, handed down in a form beautiful enough to keep.

And the beauty is not decoration. Via pulchritudinis — the Way of Beauty, the quiet subtitle this press works under — is the Church’s own name for how an encounter with genuine beauty can open the soul to God in a way argument alone cannot, as Pope St. John Paul II taught in his Letter to Artists. A picture book treated as a work of art is not vanity; it is reverence toward its subject.

These are not books meant to be read once and shelved. They are meant to sit on a kitchen table through a year of saints, to be placed in the hands of a godchild or a grandchild as something sturdy enough to last. In an age of the disposable and the digital, there is something worth recovering in a well-made book — the kind once common in Catholic homes, filled with art and story meant to form the soul as much as the eye. They are made for families, parishes, and godparents — and for anyone who wants the saints to be part of ordinary life.

We are a one-man imprint, deliberately. The compiler’s name stands on the title page of every book we make — and nowhere else in it. The books are about their subjects, not about us. If a book of ours helps one family pray, remember, or begin again, it has done its work. Faithful in little things is the measure we keep — small work, done daily, without fanfare, and entrusted with something eternal.

Every page begins again. Nunc coepi.

Traditio
The handing down
Tradere · to hand over
Via Pulchritudinis
The Way of Beauty
Beauty, an avenue to God
Faithful in Little Things
“He that is faithful in that which is least…”
Luke 16:10 · Douay-Rheims
II

The Books

The Doré Bible
Black & Gold
First Title · Interior Complete

All 241 engravings Gustave Doré made for La Grande Bible de Tours (Mame, 1866), restored to Bible order — Genesis to Revelation — each plate paired with the story it depicts and its line from the Douay-Rheims Bible.

The book Doré’s masterpiece has always wanted to be: not a selection, not a sampler — the whole Bible in his images, in one volume a family can keep.

252 pages 8½ × 11 in hardcover 241 plates, complete Ultra Premium Color
Scivias
Deep Lapis & Gold
Second Title · Print-Ready

The Visions of St. Hildegard of Bingen in Pictures. All 35 miniatures of the Rupertsberg Codex — the paintings Hildegard herself oversaw of the visions she received — each with a plain, faithful explanation of what the vision shows.

A Doctor of the Church, a Benedictine abbess, and the most astonishing picture book of the twelfth century, made readable again.

42 pages Paperback 35 miniatures, complete Ultra Premium Color
A Year of Saints
Gold-Ground Ivory
Third Title · Interior Assembled

Fifty-three saints in feast order — the year outgrew its fifty-two weeks, and the calendar closes with Moses the Black — each with a master’s painting or icon sourced from museum open-access collections and a full story page, every fact checked against solid sources. Moses appears as his own tradition paints him: in the 15th-century Novgorod icon, between Elijah and St. Poimen.

The book closes with Witnesses of Our Time — eight witnesses of our own time.

61 chapters 132 pages Hardcover Museum open-access art Ultra Premium Color
III

Our Standard

I.

Nothing invented

Every fact, date, and quotation in our books is checked against solid sources before it is set in type. Where a story rests on a saint’s own testimony, it is presented as exactly that — no more, no less.

II.

Art with a provenance

We print the real masters: Doré’s own plates, the Rupertsberg miniatures, museum paintings in the public domain. Every image carries its attribution on the credits page, and every modern photograph is individually rights-checked.

III.

Made to be handed down

Ultra Premium Color printing, true 8½ × 11 pages, bindings built for a family shelf. These are heirloom books first — made for Craig’s children and grandchildren, and for yours.

Proceeds help support the founder’s parish.

Nunc Coepi Press exists first to put these books into families’ hands. What the press earns helps support the founder’s home parish in San Diego — quietly, and without fanfare. Heirloom first, ministry second, income third: that order does not change.

Correspondence

For permissions, parishes, booksellers, and readers — the press answers its own mail, and every letter is welcome.

craig@nunccoepipress.com